• ASPECT CONTEMPORARY LANDSCAPE. RGI Kelly Gallery, Glasgow. 11th May - 1st June 2019



    Exhibition runs:

    11th May - 1st June 2019

    All artists are observers, incessantly curious about their surroundings. Landscape painters spend time in a location; recording, exploring, thinking, understanding. It could be a place of childhood memories or the daily commute, a journey to a new country, the light, the weather, the undulating line of a hillside or the pattern of a ploughed field. It is a way of connecting to the environment around us and making some sense of our place within it.

    This exhibition includes a diverse group of painters, each exploring a personal interest in their chosen surroundings from their own particular point of view.

    Artists include Rowena Comrie, Carol Dewart, Paul Eames, John Ferry, Lesley Finlayson, Marianne Greated, Simon Laurie, Ruth Nicol, Jacqui Orr, Carol Rhodes, Ben Risk, Catherine Ross, Alastair Strachan, Peter Thomson, Alasdair Wallace, Grant Watson, Adrian Wiszniewski, Alma Wolfson.

    Exhibition Private View:

    Friday 10th May, 6pm-8pm


    RGI Kelly Gallery, 118 Douglas Street, Glasgow G2 4ET 0141 248 6386

  • Gandolfi Festive Exhibition 2018

    Delighted to be exhibiting two paintings at the Bar Gandolfi exhibition, which opens Sunday 9 December, 4.30 to 6.30pm. #BarGandolfi, 64 Albion Street, G1 1NY. Exhibition runs until 9 January 2019.


    Angel, Oil on Canvas, 30 x 25 cms, 2018

    Angel, Oil on Canvas, 30 x 25 cms, 2018

  • Review: How To Get Lost, Karen Strang.

    Review of How To Get Lost, Karen Strang.


    The Scottish painter John Ferry's latest works collectively named ‘How To Get Lost’ form a consummate body of smaller canvases and cabinet works in oil and watercolour. Developing from the strong signature of figuration of individuals in sparsely populating mysterious locations, Ferry immerses the figure into a heightened wilderness swathed with organic ambiguity. Near still water shimmers with electric hues running below the surface. Soft colour fields bristle with scratching pigments, echoing nature's own dynamic play.

    The largest painting 'Wild Swimming' seduces the viewer by the expanse of reflective colour; only after we have submerged ourselves do we shift our gears of perception: details emerge, narratives form.

    Ferry is a painter who can handle oil paint to exploit its malleability with accomplishment. He employs scraffito, scraping and impasto, layering and cutting through the canvas as if taking his own exploratory journey to the depths of the unknown. Loss is not only about losing one’s bearings. 'Ode to Dolores' is in part a paean to the singer whose death was announced while Ferry was working on this series. Fragments of human experience are embedded in these works. These are contemplative pieces. Like the figure in the paint, we too lose the constraint that fear of the everyday imposes on our worldly existence.

    One of the unifying factors of these works is that although we sense we are gazing into an unrestrained natural expanse, the sky is only ever implied by reflection. And rarely are we grounded by the horizon line, though in the watercolour 'Journey' we are confronted by a river whose compositional layering makes the viewer feel they have stumbled upon a clandestine scene of adventurers, perhaps getting lost in a more conventional story line than 'Found Sign 90', whose title adds to a mysterious narrative with no bank to grasp or navigate through.

    The American nomadic intellectual Rebecca Solnit is an inspiration to John. The title refers to 'A Field guide to getting lost', her eloquent address and remedy of today's collective anxiety apropos the political world order. It's no surprise to learn that John follows in the footsteps of other creative thinkers who advocated walking as a means of spiritual and intellectual sustenance, such as Nietzsche, Thoreau and that alleged 'Scot' Kant.

    Immersing oneself in nature, one’s heart beats at walking pace, making us more attuned to the world around us, sloughing off the negative energy that permeates and ferments the man made arena of materialism, power and greed. I am reminded that Rimbaud indeed walked himself to death. In getting lost here, we are more than likely to come across treasure.


    Karen Strang, 30.03.18

  • How To Get Lost, Bar Gandolfi, Glasgow. 04.03.18 - 11.04.18

    Thanks to everyone who came along for the exhibition opening at Bar Gandolfi. It was greatly appreciated. Also many thanks for all the messages of support from friends and family who couldn't make it for obvious, weather related reasons. We had a great evening and really enjoyed catching up with everyone. 

    Finally, many thanks to Cafe Gandolfi for the opportunity to exhibit in such a celebrated Glasgow establishment, with particular thanks to Ashley Cook and Seumas MacInnes. 

    How To Get Lost - Cafe Gandolfi Bar, 04.03.18 - 11.04.18. 64 Albion Street, Glasgow.

  • The Royal Scottish Society of Painters in Watercolour, 136th Open Annual Winter Exhibition, January 2017

    Pleased to have these 3 works accepted for The Royal Scottish Society of Painters in Watercolour, 136th Open Annual Winter Exhibition, January 2017 and received The RSW Watermark Award for 'Shadow'.

                                                                                Be, Watercolour, 13 x 18 cm, 2015

                                                                           Shadow, Watercolour, 13 x 18 cm, 2015

                                                                          Moment, Watercolour, 13 x 18 cm, 2015

  • RGI Annual Open Exhibition 2016

    Delighted to be exhibiting this painting in the RGI Open Annual Exhibition, The Mitchell Library, Glasgow. 'Sunburn', Oil on Canvas, 120 x 90 cms, 2016

                                                                        Sunburn, Oil on Canvas, 120 x 90 cms, 2016